Meet Sordelet Ink's Authors
Author and playwright David Blixt's work is consistently described as "intricate," "taut," and "breathtaking." A writer of Historical Fiction, his novels span the early Roman Empire (the COLOSSUS series, his play EVE OF IDES) to early Renaissance Italy (the STAR-CROSS'D series, including THE MASTER OF VERONA, VOICE OF THE FALCONER, and FORTUNE'S FOOL) through the Elizabethan era (his delightful espionage comedy HER MAJESTY'S WILL, starring Will Shakespeare and Kit Marlowe as inept spies) to Victorian New York with his besteselling Nellie Bly series. His novels combine a love of the theatre with a deep respect for the quirks and passions of history. As the Historical Novel Society said, "Be prepared to burn the midnight oil. It's well worth it."
Living in Chicago with his wife and two children, David describes himself as "actor, author, father, husband. In reverse order."
For more about David and his novels, visit www.davidblixt.com.
JANICE L. BLIXT
The Artistic Director of the Michigan Shakespeare Festival since 2010, Janice L Blixt has become the state’s most award-winning director/producer. In addition to bold stagings of Shakespeare from Hamlet to Measure For Measure, Blixt has challenged herself to produce new versions of classic stories, including adaptations of Chekhov's The Seagull and Aphra Behn's The Rover, Karen Tarjan's adaptation of Michael Shaara's novel The Killer Angels, and award-winning productions of Wilde and Shaw.
A graduate of the Hilberry Theater's MFA program, Blixt is married to long-time MSF Artistic Associate, Author, and Fight Director David Blixt, whom she met at the Festival in 1997 when they played Kate and Petruchio in The Taming of the Shrew. They are the parents of Dashiell and Evelyn.
Bilal Dardai is a playwright, essayist, and performance artist who has been based in the Chicago theatrical community since 2000. He is an emeritus ensemble member and artistic director of The Neo-Futurists and a current ensemble member at Lifeline Theatre.
He is a regular fixture in Chicago's thriving "live lit" scene, performing essays at The Paper Machete, Write Club, and Salonathon; and he is a contributing scriptwriter to the audio dramas "PleasureTown" and "Unwell." Bilal has been nominated for three Joseph Jefferson Awards and is a past recipient of an Illinois Arts Council Fellowship in Scriptworks.
Joe Foust is a sexy beast. A writer, actor, director, and fight director based in Chicago, Joe has acted at The Goodman, Steppenwolf, Wisdom Bridge, Remy Bumppo, Next, TheaterWit, Court, Chicago Shakespeare Theatre, First Folio, Penninsula Players, Cleveland Playhouse, Syracuse Stage, New Victory on Broadway, Maltz Jupiter, Milwaukee Shakespeare and is a founding member of Defiant Theater, where his credits include directing and either writing or co-writing Action Movie: The Play, Sci-Fi Action Movie in Space Prison, Horror Movie: The Play, and Ubu Raw. He is currently penning a Robin Hood play with John Maclay.
As Nick Offerman said about Joe on Late Night With David Letterman, “When I saw him, I said to myself, ‘I wanna hang with this guy. He knows just the kind of trouble I want to get into.’”
His play My Italy Story, which had its New York debut Off-Broadway at the 47th Street Theatre, and was nominated for the Gay Talese Literary Prize, was recently revived at Mile Square Theatre. His full-length plays include Two-Man Kidnapping Rule (New Ohio Theatre), Warning: Adult Content (Theatre 54) and Staten Island (Circle Rep Lab), while his solo shows include Whizzy and The Jealousy Piece, both of which premiered in the American Living Room festival at HERE. He co-created, and wrote the text for two dance/theater pieces Tannhauser: A Dance Play and 80% of Love, both of which debuted in New York at the Obie award-winning Ice Factory Festival at the Ohio Theatre; the latter done in collaboration with company Rindfleisch, and subsequently transferred to the Jacob’s Pillow Dance Festival. He holds an MFA in playwriting from Ohio University, and is a current member of the Actors Studio Playwrights and Directors Workshop.
Robert Kauzlaric has written more than a dozen theatrical adaptations which have been performed in nearly forty states across the U.S., as well as in Ireland, England, and Canada.
The New York Times called his adaptation of The True Story Of The 3 Little Pigs! “One of the best children’s shows of the year.” His version of H.G. Wells’ The Island Of Dr. Moreau received five of Chicago’s Non-Equity Jeff Awards, including New Adaptation and Best Production; his adaptation of Neil Gaiman’s Neverwhere received the Non-Equity Jeff Award for New Adaptation; and his version of Oscar Wilde’s The Picture Of Dorian Gray was nominated for New Adaptation. He was commissioned by the Illinois Shakespeare Festival in 2010 to produce a new adaptation of Dumas’ The Three Musketeers, and two of his plays have been published by Playscripts, Inc. For more, visit www.robertkauzlaric.com.
A native Hoosier, Keaton is an actor/writer/singer based in Chicago. He has extensive professional experience in the city’s theatres, as well as in regional theatre. His versatility as a performer extends from Shakespeare (TWELFTH NIGHT, AS YOU LIKE IT, JULIUS CAESAR, THE MERCHANT OF VENICE, among others) to musical theatre (1776, GUYS AND DOLLS, THE MUSIC MAN, BIG RIVER, et al) and much inbetween.
Mr. Keaton offers television, voiceover and narration work, recently completing an acclaimed documentary on the Indiana poet James Whitcomb Riley. He also has two other solo pieces, IN HEAVENLY PEACE and WHISPERS FROM THE MOON, a solo musical with composer William Underwood.
Corrbette Pasko is a Chicago native who hates the cold, so she's already self tortured enough to be a writer and an actor. She now does both of those things full time and therefore consumes the most coffee. She is an ensemble member with The Factory Theater, a wonderfully ridiculous place that process all original work, including plays written by her and her swell writing partner, Sara Sevigny. She has a web series in the works, because it's required of all citizens now, called "Corri and Sara Are Famous." You can follow her and Sara as they Jew Guilt members of congress and other elected officials at @corriandsara. She writes copy for corporations, monologues for actors, and plays for everyone else.
For more, visit www.corrbette.com.
When he was in Fourth Grade, Shawn Pfautsch decided he would impress the students in his new school by writing a hilarious parody of popular science fiction films beginning with “Star __”. Several years later, with a degree in Theatre Studies, Playwriting Emphasis, in hand, he moved to the shores of Lake Michigan and helped to found The House Theatre of Chicago, where three of his full-length plays have premiered. Along with his short plays and one-acts, his work has been seen on stages from his base in Chicago to Texas, Florida, Iowa and beyond. What’s beyond Iowa? No one really knows...
As an actor and musician, he has been clapped at with The House Theatre of Chicago, The Hypocrites, Steppenwolf Theatre Company, American Repertory Theater, Actors Theatre of Louisville, Dallas Theater Center, Chicago Shakespeare, Lakeside Shakespeare and Michigan Shakespeare.
Sara Sevigny is a Chicago based actor, singer, improviser, and playwright. A proud member of SAG-AFTRA and Actor's Equity Association, Sara's theater credits include work with Broadway Playhouse, Chicago Children's Theatre, About Face, TimeLine, and The Hypocrites. Sara currently resides as an ensemble member and playwright with The Factory Theater in Chicago. She has written 6 plays with her writing partner Corrbette Pasko, and they're pretty proud of themselves. They've also created a new YouTube series, 'Get In The Car'. You should subscribe. You can here.
Hailing from Evanston, Illinois, Sara graduated with her BA in Theatre/Communications from Curry College, trained at the American Conservatory Theatre in San Francisco, and graduated Second City's Conservatory program.She also likes unsweetened green tea lemonade, in case you wanted to get her one. It tastes like sunshine.
Husband, father, writer, director, mystery man, and science hero, Richard Ragsdale keeps busy. A founding member of Chicago’s Defiant Theatre, Richard wrote, directed, or acted in a majority of the plays presented by that august body. As a founder and teacher at Ham Club, a group that teaches theatre and puts on plays with public schools, Richard takes great delight in passing on his love of theatre in general and shtick and clowning in particular to a new generation of stage nerds.
He likes horror movies, Disneyland, and embroidery, and thinks everyone looks better in a cape.
CHRISTOPHER M. WALSH
Christopher M. Walsh is a writer and actor whose work has been produced in the U.S. and Canada. In 2014 he was nominated for a Non-Equity Joseph Jefferson (Jeff) Award for his adaptation of Charles Dickens’ A Tale of Two Cities. Other adaptations include The Count of Monte Cristo by Alexandre Dumas, The City & The City by China Miéville, and Soon I Will Be Invincible by Austin Grossman. Christopher also won the 2014 Deathscribe Festival of Horror Radio Plays, produced by Chicago’s WildClaw Theatre.
As an actor, Christopher has performed with a number of companies in and around the Chicago area. He is a proud member of the artistic ensemble at Lifeline Theatre, based in Chicago’s Rogers Park neighborhood. Lifeline specializes in stage adaptations of literary works.
Originally from Muskegon, MI, he moved to Chicago in 1994 to study acting at Columbia College. He lives in Chicago with his wife and two cats. Follow his adventures online at christophermwalsh.com.
A Michigan-based playwright, Joseph is a four-time nominee for the Steinberg/American Theatre Critics Association Award for best new play, first in 2006 for All Childish Things, then in 2007 for Language Lessons, in 2010 for It Came From Mars and in 2012 for Dead Man’s Shoes. Other plays include The Gravedigger: A Frankenstein Play, Salvage, Northern Aggression, Dr. Seward’s Dracula, All Childish Things, Invasive Species, Dead Man’s Shoes, The Scullery Maid, Night Blooming and Ebenezer. He co-authored Flyover, USA: Voices From Men of the Midwest at the Williamston Theatre (Winner of the 2009 Thespie Award for Best New Script). He also adapted Christmas Carol’d for the Performance Network. It Came From Mars won 2009’s Edgerton Foundation New American Play Award, and won Best New Script 2010 from the Lansing State Journal. His play Dead Man’s Shoes won the 2011 Edgerton Foundation New American Play Award. He is an Associate Artist at First Folio Theatre, an Artistic Ambassador to the National New Play Network, and an adjunct lecturer at Eastern Michigan University, where he teaches Dramatic Composition. Learn more at www.jzettelmaier.com.